the process

A designer/scientist does not “express himself”. We come up with a process that we think may produce some result (interesting, illuminating), carry out that procedure, then with fresh eyes look at the outcome to judge its actual result. Is it what we were expecting? Do we need to tweak the process? We must be able to honestly see and report what is there in order to provide the feedback that advances our knowledge and our art.

Game Design Annotated Links

I’ve been meaning to post these for a while- I read a lot of game design stuff while working on Rubicon. Here’s some of the stuff that I found to be particularly useful/insightful/interesting.

  • “Ten Things Every Game Needs” – Magic the Gathering is a wonderfully heavily-designed game and Mark Rosewater’s column “Making Magic” provides a thoughtful window into the process of its creation and maintaining its long-term health. “Restrictions breed creativity!” is the mantra of the day.
  • “Juice it or lose it” – A talk aptly demonstrating the power of tiny reactive effects and how it can bring a game to life.
  • “Video Games and the Human Condition” – A talk by Jonathan Blow. Goes over developer “best practices” on how to make a game compelling to play and then ethically questions the use of such tactics. “With great power comes great responsibility.”
  • “Bow N*****” – Personal narrative of play experience of Jedi Outcast. Super-intense duel, exploits, social norms/rituals in multiplayer.

Ship Customization

I want ship modification to be a major aspect of Rubicon. To that effect, I’ve been working to put together a customization system for the game. It’s harder than it sounds! How do you approach putting together a balanced economy of choices?

By looking to see how other people have done it, of course. I tried to boil down the system of provided resources, how players can allocate those resources, and the resulting in-game effects for Mechwarrior 4: Mercenaries. This is what I came up with:

mechwarrior flowchart thing

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Controls

Controls are hard to get right. Here is a rather lengthy description of how I developed the scheme for RUBICON:

First, I needed to explicitly see what you DO when playing this kind of game wrote out two overarching objectives: shoot enemies and don’t get shot. The first is accomplished by interacting with those enemies via bullets that come from some yourself at some angle. The second is accomplished by moving out of danger areas. Challenges arise when these two conflict; you need to simultaneously be in a position that does not contain bullets while trying to fill their position with bullets.

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By Wick Perry | © 2017 Wickworks
Proud to be a member of PIGsquad and Playful Oasis.